1. La Maldición de Jared Leto y el Fracaso de Tron Ares.
La franquicia Tron Ares se utiliza como el ejemplo principal de las malas decisiones de casting y la inversión de dinero en proyectos destinados al fracaso, especialmente debido a la presencia de Jared Leto, a quien se describe como "veneno de taquilla" y un "depredador sexual" que supuestamente financia sus propios roles.
- I would have loved to go watch tron ares in cinema but im not because aint no way im giving money to jared leto.
- Theres no jaredleto led movie thats actually made money. Hes been quietly well known as a sex predator for decades and then outed as one publicly this year.
- Jared leto is like the anti-money if you use jared leto, you will make zero money he literally makes every movie hes in lose shitloads of money.
- I am actually curious to see how much they put towards it cause i heard rumors awhile back he put his own money towards it to get disney to green light it but idk if thats entirely true.
- I love tron but the walt disney corporation doesnt have enough money to pay me to look at a movie with jared leto in it.
2. La Avaricia Corporativa y la Destrucción Creativa.
Críticas a los ejecutivos de estudios (los "money men") que priorizan la reducción de costos y la explotación de IP conocidas (remakes, secuelas) sobre la calidad o la visión artística, resultando en productos "slop" (bazofia) y la mala asignación de recursos.
- Its that hollywood money men are going to cut costs and consumers will make their own shit.
- Honestly? if youre going to spend millionsbillions to buy the rights to companies you would think that some of that money would go into actually improving the quality of the produced material.
- By the time all the money gloms together like this it creates tottering, sclerotic idiot-gods who can only do collab slop and nostalgia bait for increasingly diminishing returns.
- I think a lot about the misuse and misallocation of extreme talent by incompetent studio leaderships and i wonder if they have any idea how much money theyre throwing away every day.
- You know visual creativity is at a nadir when you start praying money laundering is involved in a production.
3. La Economía del Streaming y el Poder del Consumidor.
La insostenibilidad del modelo de streaming, marcada por la pérdida de miles de millones de dólares, el aumento de precios y la cancelación de contenido. Los consumidores responden con boicots y cancelaciones de suscripciones (especialmente Disney y Paramount) para influir en las decisiones corporativas.
- Netflixs inflated stock valuation is based on the false belief that theyll someday kill the entire theater business, so they intentionally set money on fire by refusing to put things in theaters.
- I love tron. The original is a movie i rented on a weekly basis as a kid... Im not going to pay to see it now. No chance in hell my money is going towards. This.
- Ive already cancelled, and im surprised they didnt learn from disney with jimmy kimmel. If you piss off the fans, we will show the corporations the way we know with money and making them bleed their money.
- I think the biggest eye opener was just how much of a difference there is between cons that are run by passionate people who actually care about a community and supporting creatives as opposed to ones that are clearly meant to just make money exploiting nostalgia.
- I will never understand why the official owners of these cartoons dont want to platform them. Do they not bring in enough money? do they take up too much space? do the owners hate joy and laughter? to actively bury or throw away some of your most popular ip is mind-boggling.
4. El Debate sobre la Rentabilidad y la Calidad Artística.
Una discusión constante entre la audiencia sobre si la calidad de una película debe medirse por su éxito financiero. Muchos argumentan que el enfoque excesivo en la taquilla distrae del valor artístico y que las películas no necesitan generar ganancias para ser buenas.
- I have unfollowed many a video essayist for constantly calling this into question, because it seems to be used as this constant metric of this movie sucks, look - it couldnt make back its money.
- Sign-tapping like a fucking lunatic movies dont need to make money to be good, and, in most cases, movies that make a lot of money are really, really not good.
- I dont give a shit if a movie by pt anderson is profitable!! its not my money! fuck off!!
- The focus on numbers just feels dehumanising to me honestly.
- I dont even understand why they made a third movie in a franchise that has never been successful. The second one bombed fairly hard and the first one didnt quite double its budget, so it probably lost them money.